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from ~ PaperG ~

Infinity was the thing of the 44th week of the photo challenge. I thought of circles, the number eight, stars above me, the view through an industrial chimney or a large pipe, cemeteries, love, and so on. And it seemed to me like every time something came to my mind a toot was posted covering the association. So the challenge persisted, and I let my mind run wild 😁

And so it was that I spent Saturday afternoon playing with two mirrors and their infinite reflections 😎 I had the idea of creating something atmospheric, candles that form a line into infinity.

My setup was quite simple: I placed the two mirrors opposite each other, covered everything I didn't want to be seen, mounted the camera on the tripod, turned off the light and that was it. I also tried playing with focus stacking, but I wasn't really happy with the results. So next time I might go for a higher ISO and faster shutter speed. But that's what I love about photography – there are always plenty of possibilities and ideas to play with 😊

And voilà, here goes my result that I tooted on Sunday.

Guiding Lights

 
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from Nilly Robot

Maybe it's Thursday out there too, where things were normal. (From Tales from the Valley: Phantasmagory Shorts)

CW: blood, horror themes, mentions of violence


Seven died on a Thursday.

I can just see the calendar from where I'm cowering under the desk, rows of little red x’s that lead to a big smiley-face. That's really what does it, a bright red smile like the blood on the curtains, the walls, the crevices between my fingers.

Thursday, Thursday. It was always fucking Thursday.

Maybe it's Thursday out there too, where things were normal. That’s a morbid thought. Thursday at my empty desk in the dingy office park behind the gas station. Thursday in the apartment on the hill, the bathroom door busted off its hinges and a forest of grocery store plants dead on the windowsills. Briefly, I wonder if someone else lives in that apartment now, or if the rest of the world went ahead and ended too.

But hey, it's not like these are even my memories. It's not like this has anything at all to do with me.

So fine, whatever, it's Thursday, as if that's supposed to mean anything, and there's a big red smiley face to mark the occasion. Seven probably knew what was coming then, of course she did. I feel a twinge of rage at that, bubbling up through the stupor. The audacity she had to draw that, knowing what would happen. The nerve.

And maybe it’s because it’s one of those cheap calendars the admins at my old job used to have, tacky and badly typeset, filled with pictures of kittens in fields posed in an array of tiny hats, a collection of miserable, blank kitten faces staring into the camera, maybe that’s what finally snaps me out of it.

Hang in there, she'd say with a smile, watching them open me up on the table again. Yes, I'm sure she would think the whole thing was hilarious, if she could think about anything anymore.

God, how I hated her, truly.

My legs are stiff and angry when I pull myself up. I've been under the desk forever, or maybe a couple hours. Time was strewn around the floor in little bits and pieces.

And really, who needs time anyhow? What has time ever done for anyone? I'm better off without it, I tell myself, pushing my unease back under sludgy layers of apathy. What difference does it make to something like me?

Seven is probably still splayed out on the dining room table. Just for me. Just so I know what I probably did.

And it’s true. I flinch when I turn the corner, eyes dropping to the bloodstain painting the horrid, ugly carpet. The body looks happy, manically so. And you know, at least somebody is. That counts for something.

Are you satisfied, Mother Seven? Have all your dreams come true? I'm a proper monster now, and Seven got a vacation in whatever hell things like her go to.

She shouldn't still be here. It doesn't make sense, but sense is something that happens to other people. It's just like her to leave her cold carcass on the table like yesterday's turkey, making me look at what I probably did, acting like she was ever real to begin with. Oh, she'd think that was a hoot. My, how realistic, she'd say, shoving my face into it. See, that's what people aught to have inside them. Unlike you...

No one has cleaned up, or bothered to close her eyelids. Who would have? I'm the only one left now, the only one left. My head is ringing. Only one...

Except there's him.

The other one. The real one, wherever he is. He's been awful quiet ever since...

He's been gone for days now, decades, months. My head has never been so blissfully empty without him in there screwing around. Maybe he's dead in a ditch somewhere, clutching his horrible little hands to his horrible little head, pretending it’ll all go back to normal in the morning.

And bless our malignant little heart, it just might.

Hilarious. I could scream. I could cry, if I had anything in me to wet the tears with.

At some point, I wander into the kitchen and make a cup of tea. I don't like tea, but it's better than staring at the blood on the curtains, the windows, the ugly blue cabinets. The body in the dining room... My shirt is cemented to my skin, tugging my armpit hair when I reach for a mug. There’s blood in my armpits and I don't even like tea.

The kettle is whistling harmony with my head. A major third, my brain supplies helplessly. Ding dong, Beethoven’s 5th. I consider throwing it through the kitchen window. That's what a proper monster would do, I think, and I'm a proper monster now. A terrible beast that ruins the carpet and lurks around snarling at calendars. I set the kettle gently back on the stove.

When I wander back into the dining room, the body is still on the table. Just for me. Just so I know what I probably did. For fucksake, she didn't even exist, why the hell is she still here for?

Looking at her is making my eyes burn, so I go back to contemplating the horrid, ugly carpet. Red splatters on lime green swirls. The red is my fault of course, but whoever unleashed their vision of midcentury misery on this coal baron showboat did the worst of it well before I got here.

I'm losing the the thread here. It's all coming undone. The smell of blood and earl grey is making me sick, so I tip the mug out and watch my tea bleed into the mess around it. It doesn't matter what I do at this point, not that it ever did. The carpet is already ruined.

I'm making a noise like a giggle. It's not funny, so I must be crying. I don't even like tea and it doesn't matter even if I did because the tea isn't real. The house, the horrors, the body on the table. The fake wind-up monster clutching his fake mug of fake tea with fake shaking fingers.

God, how I understand the fear in their eyes now. It isn't real, I yelled, watching them claw their faces off with that horrible look in their eyes. It isn't real, it isn't real. God, how I killed them all with three ugly words and I wasn't even enough of a person to die with them. Black streaks of nothing slip down my face. I press my dirty claws to my eyes, down into the folds of my simulated eyelids, but I don't have the heart to keep digging. No, I've never had the stomach for that sort of thing and there isn't much point to it anyway.

I'm feeling pathetic now, so I go back to the office to wait for time to pass again, for lack of anything better to do. It doesn't. It sits in pieces on the floor like an angry toddler, staring at me in silent accusation. The creak in the office chair agrees and I make a note to burn it later, along with the papers flung across the desk and the books lining the shelves behind me. Endless notes on the town, the victims, the fake plastic monsters like me. Rules, lessons, faith, belief. Books, trinkets, junk, mess. Paper monsters piled in great heaps against the doors and windows, suffocating ourselves with gleeful abandon.

Yes, there will be a lot of things to burn later, I think, picking flecks of gore from my nails. The calendar is boring a hole through my head from the wall, but I'm going to burn it later with the rest of the house and maybe then the ringing in my ears will stop.

No. I know better than that.

I wonder how well fiction burns, if it'll drift to the sky on a column of smoke or if it's carved itself in too deep into the hillsides.

Maybe I'll give it a try tomorrow.

—–+ #Horror #ShortStory #Writing #Fiction

 
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from Poetry from a nonpoet

Birth, asthma attacking my soul borne blue,learning as I grew, I walked and I babbled, cute as any Hair was so curly, mum thought the world.

I soon learnt that other kids would be quite cruel, Not understanding me like nothing else i knew Dumbass and idiot moronic labels would be thrown

Something im working on, my life story background about my nuerodeverity in poetry form.

Not sure it does the issue justice...

Even the teachers thought Little, Till school did I move, learnt to run.

Other labels would then be me, Dyslexia and dyspraxia… More I learnt, harder the world seemed to be Thinking differently, not quite the same as all else

I got the help for that, didn't stop, self doubt and self loathing, I became depressed becamem toxic.

Fell into drug use, a bit of that, bit of this My friends wherent great, often trying to lead off the straight and narrow course, Users loosers, nafarious folk but, where still mates, only one i ever knew.

Ended up hearing voices, reality was obviously a sham, distorted A psychic war had began, delusional Was placed with more labels then I could count

Spent a long time stewing in purgatory With my misgivings, lost Not quite with the world, not part of society. No faith,no hope, no chances

Only recently light was shun in the darkness Rays of hope broke through. Cut loose old friends, made new Found a passion for art, started becoming Alive,

Sought help, admitting faults ,got the support I needed Therapy meds, new friends, a place to belong, I even Eent back to mass. I found peace and solace, With the father's homilies.

Finally I feel more whole, still with issues but more able. knowing now with some self worth,

I'm loved.

At least not longer in such a dark place.

Started posting to allpoetry.com too username psychicferret84.

 
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from Poetry from a nonpoet

Decided to write a poem for a painting ive got going on. Doing a picture of Christ atm, a portrait. Think ill put this poem ive just written as a warm up to go with it. maybe glue it to the back of the canvas or to go along with any online post

Prayer of the fallen Subtle god, who listens, in the cool wind I sense your presence.

almighty holy spirit, the flame who guides. More than a feeling, less then a voice. I hear you whisper, closer than consciousness. Burning into my soul.

Rituals and genuflection, scent of the church, the frankincense, a memory of old. A part of human dogma, something to please us, fallen.

We are all sinners just trying, following an example of the sinless, the blameless one. Endlessly trying to never forget.

His kindness, his openness, He loves us all, for that I'm truly thankful.

Do need to write poetry more often. I've also been reading some poetry by Oscar Wild recently, was totally surprised at how religious inspired it was, he might not of been accepted in his time due to being gay or bisexual but he is a true Christian.

 
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from ~ PaperG ~

The photo challenge week #42's motto was heimlich (means secretly). My first thoughts were about scenes of doing something secretly. But I discarded that first and quick association, as it was just too boring.

On Thursday that week we had a full moon and I saw it in its full beauty when I came back from a short walk. So I set up my tripod and my camera and took a few photos.

Good Night

Friday I thought – well this could do, as the moon somehow secretly raised behind the tree... But as I was still not really satisfied, my internal fantasy unit™ kept on working in the background. Leading to browsing the phone book and looking for someone with the name Heimlich...

Well, I found him in the big city. Mr. Heimlich. I rang the doorbell and he opened. After introducing myself, I explained the photo challenge to him and what some really nice photographers are practicing by this challenge. I asked him, if I could take a photo of the nameplate on his letterbox. And so he agreed. I also offered him to take a photo of himself – if that would be fine for him, but he felt uncomfortable with that idea. No problem, as I was really happy to take a photo of the nameplate. So we said good-bye as I needed to get my camera from the car and he went back into his house, closing the door.

Back from the car with my gear, he was there again, standing in the opened door – he smiled and said, “I'll make you an offer, come in and look at this frame”. I was completely overwhelmed as he showed me the drawing of the family coat of arms that I was allowed to photograph. I noticed the written year 1427 and learned from him that the name comes from Silesia and that the coat of arms can also be seen in a museum at Nuremberg.

When I finally left, I thanked him again. “Maybe that's better than the letterbox”, he said with a smile and a gleam in his eye.

Mr. Heimlich

 
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from Poetry from a nonpoet

During the last poetry session was asked to write a summery about any story and if time try to write a poem from the eye of a charecter, I've choose little redcap as red riding hood had been featuring in my days recently.

Little red cap by brothers grim is the original story of red riding hood

Her grandmother lays in her cottage il and the mother of Little redcap gives her daughter an errand. To go to her grandmother's cabbin with cake and wine but be carefull Not to wonder of the path

On her way Little redcap meets a wlfm unafraid She gets tricked of the path, while away the wolf hurries to the grandma's cabin, gobbles up the grandma and puts on her clothes and lays in bed, waiting

Littlered cap wakes the wolf in grandma's garb and questions why her ears are so large, why his eyes are so large and why her mouth is so large

The wolf jumps to swallow Little redcap and then falls asleep in grandmother's bed

A huntsman hears the wolf snore, checks into grandma's rabbit, sees the wolf and decides it safer not to shoot but cuts open the wolf wide with scissors saving the grandma and Little red cap

He then fills the woof with stones while later dies,

On another occasion another wolf try to eat redcap but her grandmother tempts the wolf with sausages and from his perch on top of the cabin, the small enticing him then falls and drowns in hot water from where the sausages where boiling

Grandma gave me once,a velvet red cap It glistened in the evening sun

On my way In my red cap, being sent With leftover baked cake, with wine To my favourite grandma whose poorly

But when trapsing along, I come upon a grey mainedwolf Unafraid I greet him, hello wolf and he me

He tells me I should take a fine walk of the path To breath and enjoy the fine day while it last So I go gather flower and posey? To go with my grandma's cake and red wine

Little I knew what a trick, the wolf had Played in mine

He was set to gobble me and my grandma, to dine

But the fool met his match, when the huntsman Set about, to cut the wolf and free Me and grandmother

Then another later tried what the first wolf failed In time. Snuck on the roof to be tempted by sausages scent Slipt and fell straight into a vail of water and drowned.

 
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from Poetry from a nonpoet

So I've started a poetry group

I thought I would document my journey going from a dyslexic, non-poet to a poet wannabe.

We are following the BBC maestro course poetry by Carol Duffy, unsure of which i would recommend without also having a teacher. It is informative but no set exercises which might be limiting

OK so polishing up a few poems that i started during the 5 minute allotted time

To tell the truth

tell all the truth let it wash aside

all the lost time, wasted agonies

tell the truth, own all the past

heal from brokenness and lies

Heal all the bygone times woes

move on and let it all go, heal

start renewed become all which

once was dreamed, finally

instead of wasting away in a haze.

Climate change

climate change a monstrosity wrought

denied truths by some crackpots alts

climate change Armageddons time has come

those that agree get called force

but will humanity survive if we unite nought.

such tumultuous times have now become,

For the homework we where set an assignment to choose one an art peice and write a poem from the charactors voice, i choose to write as lucifer from illustrations of paradise lost.

Lucifer my pride and fall

How I spite the limitation of thy god

rise up I tried but now cast off

fallen ever fallen into the depths

in sulphuric fumes now cast out from heaven's gate

Now I shall tempt every human,

in all manner of sort

Turn them from God's grace

And make thy kingdom of my own

they shall only worship ME,

not thy not God above

blight and spite

I shall set Him in my sight

that heavenly thrones shall be mine.

Wonderous now am I now twisted in the depths

vanity ha but pride I laugh

I grow stronger and stronger each millennium pass

madden those cast from Eden's grasp,

turn them into figureless forms,

Make them my minions shades,

A horror full blight

A tempest has he wrought,

my army shall rise and fought

over throw choirs and dominions,

of angels with my demonic horde

I shall be the one in charge,

they will all worship me and only me

 
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from 🌘Castillo de Arena🌒

(English version) Originalmente, creé este blog para otro proyecto (que al final estoy trabajándolo en formato analógico). Como sigo con ganas de bloggear, pero no de la misma forma que antes (antes antes), voy a aprovechar este espacio para escribir sobre los proyectos en los que estoy trabajando ahora ya mismo, para ordenarme la cabeza y también por si a alguien le interesa leer por qué dije que estaba por publicar una cosa o la otra y después de dos meses la cosa sigue impublicada e inmanifestada. Y no, no es porque colgué o porque esté demasiado ocupade con el trabajo. Es hasta medio lo opuesto, estoy muy manija (y con poco trabajo, calculadamente, para enfocarme en esto).

Por si alguien leyendo esto no me sigue en mi otra cuenta (“Puka 2” en @puka_muriska@easymode.im), todo lo que hago digamos, artístico, es parte de un trabajo espiritual interior mío que a veces es bastante largo, y a veces es más espontáneo (y si va a ser una cosa o la otra está fuera de mi control jaja). Mi espiritualidad y mi arte son medio lo mismo para mí, porque para las dos cosas uso de materia prima a mi mundo imaginario, mis sueños y todo lo que surja en la intersección entre ambos.

Habiendo aclarado eso, paso a contar sobre lo que estoy haciendo, y en el trabajo que tengo en el detrás de escena. Lo que más me urge sacarme el peso de culpa (jaja?) por no tener listo aún, es el proyecto de las cartas. Estoy escribiendo (y reescribiendo, y reescribiendo, y...) una serie de zines en formato de carta analógica (¿zine postal?) para mandar a cualquier persona que esté interesada en participar, en cualquier parte del mundo. El origen real de las cartas es, claro, mi mundo imaginario. Más específicamente las escribe un Personaje Misterioso, contando sus aventuras en el U3P (así se llama mi mundo imaginario, “Universo de los Tres Portales”, porque no se me ocurrió nada mejor). El primer prototipo fue enviado a una amiga en Suecia y recibido con éxito, pero después de haber sorteado al menos la mayoría de dificultades técnicas (básicamente el envío de la carta común acá en Argentina sale un precio sorpresa, y tuve que hacer malabares para bajarlo lo más posible), me encontré con otra dificultad, más profunda, que me surge por primera vez en 29 años teniendo un mundo imaginario.

Y es que, parece, tener un mundo imaginario no equivale a tener una historia bien armada, tipo, en absoluto. Hasta ahora, nunca había tenido la necesidad de tener el tiempo del U3P “más o menos organizado”, aunque la necesidad organizativa no es nueva, hace unos años me surgió ordenarle el espacio (más que nada los edificios y lugares del Desierto Blanco). Porque si bien en mi mundo imaginario siempre hubo Eventos, estos Eventos pasaron una y otra y otra vez, cuando tenía 12 años, 14 años, 16 años, 22 años, y así; siempre sutilmente distintos, reescritos a medida que fui creciendo y madurando, con personajes de más o de menos, lugares nuevos, etc. El U3P es una suerte de trabajo de parches gigante, lleno de agujeros y descosidos y con una cantidad extraordinaria de capas (se ve como cuando pegan carteles en la calle sobre otros carteles, y con el tiempo se van pelando). De hecho, escribí e ilustré el primer zine-juego sin tener en cuenta ni siquiera la remota posibilidad de armar una historia con todo lo que tengo. Porque no me daban ganas, pero ahora sí (aclaro que no tengo la certeza de que lo que sea que salga de esto sea estable y no mutable, al fin y al cabo trata medio sobre escribirme a mí misme, aunque cabe la posibilidad de que después de que haga este trabajo, pase un Evento nuevo que no haya pasado nunca antes).

La razón profunda de por qué tengo ganas de hacer esto y no lo otro, ya sería demasiado larga como para meter en una entrada, que se supone que es solo para explicar qué corno estoy haciendo. Pero, para sintetizar, en mi trabajo espiritual, cuando escribía el primer zine-juego, mi niño interno (que yo llamo “El Príncipe”, y sí, a veces es más un adolescente interno jaja) quiso jugar a las escondidas, y de eso se trató el primer zine. Esta vez, El Príncipe quiere jugar a los detectives, y yo también. Trata de buscar con una lupa, caminando cómicamente cerca del piso, algo que se parezca a una pista y me haga sentir un “!” emocionante. Algo como un hilo, quizá.

Hacer este trabajo de hormiga arqueóloga, investigación detectivesca, buceo onírico e introspección organizante es indispensable para poder darle voz a este nuevo Personaje Misterioso que escribe las cartas, por razones inexplicables (o sea, que podría explicarlas en más detalle si realmente quisiera, pero tendría que hacer mucha fuerza cerebral y mejor me lo guardo para mi diario :B).

Este trabajo vueltero es extra esencial también para poder darle vida al otro proyecto que está relacionado con el del zine postal, que venía a todo vapor y que ahora de a ratos se me descuajeringa: el “CEM” (¿qué onda yo poniéndole nombres así con siglas a existencias imaginarias, igual? Me suena a nombre de clínica o algo), es decir, el “Colectivo de la Estrella de Mar” (y por esto la sigla, después de haber escrito un nombre largo demasiadas veces en mis diarios, empiezo a siglear): un grupo de soñadores que de momento consiste en exactamente 13 personas con 14 cuerpos y 15 cabezas, aliens al U3P (o casi aliens) que exploran este universo por una serie de razones y con otra serie de objetivos. Uno de estos objetivos es crear zines que sirvan como guías de viaje para quien quiera ir a visitar el U3P. De este tengo publicado el primer tomo (gratis, en mi Itch.io), que está bien primitivo, porque lo apuré para participar en el “Fuck Capitalism Jam” del 2023.

Así que, por si alguien leyendo esto me sigue en mi otra cuenta (“Puka 2” en @puka_muriska@easymode.im) y no entiende de qué mierdas estoy hablando ahí, es de esto: estoy cosiendo bien la colcha, con todos los parches que tengo disponibles; uniendo cabos sueltos, conectando los puntos, estableciendo relaciones, ordenando la dimensión temporal del U3P; básicamente escribiendo una historia coherente hecha con las pequeñitas chiquicientas historias que tengo en el Archivo de Anís. Y al fin, todo esto está haciendo las bases para mi próximo proyecto que todavía no está ni bocetado (y que aun así tiene alguna que otra página terminada,, mi proceso creativo es sencillamente así de caótico), que va a ser el segundo zine-juego, que viene para largo. Quiero hacerlo en formato novela visual y zine, ya veremos cómo, y obviamente va a ser de detectives.

Internamente, también, es un cambio loco para mí. La necesidad de darle un “espacio-tiempo” válido en el U3P a este Personaje Misterioso que escribe las cartas hizo esencial que, por un lado, organizara el tiempo del U3P y, por el otro, construyera/configurara/inserte otro verbo aquí una puerta que realmente diera acceso a otres a mi mundo imaginario y, a su vez, permitiera salir a seres de mi mundo imaginario a husmear en los mundos y asuntos humanos. Una puerta así es algo completamente nuevo para mí, y me parece super divertido, una aventura, pero es un trabajo medio enredado, mágicamente hablando. Y bueno, ya veremos qué sale de todo esto ٩(๑❛ᴗ❛๑)۶

 
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from Nilly Robot

A monster reveals himself and a lot of awkward questions are answered. (From Tales from the Valley: Phantasmagory Shorts)

CW: horror themes, briefly: gunshot wounds, monster gore —–+

Well, the situation was well and truly teakettled. I'd really gone and done it now.

When I turned and looked at her, Jenna skittered back with a small, terrified squeak.

Fair.

I had a pretty good idea what I looked like right then, soaked head to toe in former wall-demon, too many legs arched angrily around me. All the focus I usually set aside to look like a human being had gone out the window because I was tired and pissed off and shot an unreasonable amount of times.

Joe had gotten four hits on me before he ran off. Black blobs of whatever the hell I'm made of oozed down my back. It would have been nice if he'd shot the horrible wall-thing he'd created while he was at it, but you know. Points for managing to hit anything, I guess.

My heart sank. This was probably the start of the end for them, then. Fear was a feedback loop here.

But hey, they'd lasted two, three weeks, give or take a month. I don't know, time is kind of messed up here. Good for them, though. Well above average. Why, the last bunch only held out two days before... before...

Dammit.

I hated this.

Why did this always happen? I didn't even know these people. I didn't even like them.

I rubbed my face and started going over my roster of hide-outs. I waved most of the gore off. There was no point keeping up the “real person” act now that they saw me for what I was. The bullet wounds would have to wait until I was out of viewing range, unless I wanted to arm wrestle with someone's idea of how shot to shit I was supposed to be.

Jenna was injured. Her nerves were screaming Leg! Leg! in the back of my mind. I felt a pang of guilt. Someone should help her. I turned to look again and she skittered further back.

“Stay away...”

OK, someone non-abomination shaped should probably help her, but we were experiencing a shortage currently.

I swallowed my disgust and focused on her screaming nerves. A specific kind of nausea-inducing pain shot through our senses.

“Your leg is broken,” I said.

She was gawping at me, so I ran my mouth to fill the silence.

“There's splints and morphine in the laundry room. Some of it's real, some of it's... not. Morphine is, trust me on that. I don't...”

Blank, nothing. The gawping continued.

“I dunno where they got it though, so maybe just, uh.”

Deciding that was a sufficiently awkward stretch of rambling, I turned to leave.

“Right, good talk.”

“Wait,” she said before I could vanish.

I hesitated. This was a mistake because, for both emotional and injury-related reasons, I needed to get the hell out of there.

“You're hurt.”

“No,” I said. “You just think I am. You saw... whatever you saw happen, so it did.”

“Are you in my head?” she whispered, with fearful fascination.

“Uh.”

Something poked me sharply in the neurons. “Is that you?”

Oh no. I retreated further but it was too late. The pain in my back began to fade and I could feel my shoulder muscles knitting back together. Honestly, I was perplexed. there was clearly some kind of misunderstanding going on here, and what's worse is she was good. This was going to be a problem.

“What are you doing?” I asked. The confusion must have been enough to offset my whole horror movie vibe, because she straightened up and pinched her face into its usual irritated scowl.

“You can't just walk around bleeding everywhere,” she said with a sniff. “It's unhygienic.”

I made a weird little involuntary giggle at that. Suave. I can't imagine what that must have looked like coming out of... whatever I am.

“Right, wouldn't want to mess up the furniture,” I gestured at the ruined living room.

“What was that thing?” Jenna shivered and surveyed the wreckage. “For that matter, what are you?”

“Some asshole's personal problems,” I muttered, politely ignoring the second question, less politely ignoring the little voice that said I'd just answered it anyway. “Something he made up. A reoccurring nightmare, maybe, or some kind of phobia.”

“It looked like his uncle.”

Yikes.

“Maybe he should uh. Probably go do a therapy about that then, instead of making it our problem. Guess that's kind of off the table here, though.”

Jenna grimaced. People never liked my sense of humor. Oh well.

She gave me another wary up-and-down before hoisting herself on an overturned couch. Her leg gave out from under her and I dove to stop her impaling herself on a pedestal table without really thinking about how that might come off.

She let me help her back down anyway. I tried my best not to loom.

“What are you?” she asked again. I still wasn't having it.

“No idea,” I said to the ceiling. It was spattered in wall-demon. I looked at the floor instead, which was also spattered in wall-demon. After a minute or so of awkward non-looming, I felt bad about leaving it there. “Well. That's not true. I have some idea, but I don't like the answer.”

“I see,” she said.

We spent a while where I stood there not elaborating and she sat there on the floor with a broken leg.

“Fine. Can you help me up, please?” she sighed.

I carried her to a less hazardous part of the living room and set her down on one of the few intact-adjacent couches. I guess we were overlooking the whole abomination thing now, then. That was good. When I went to stand back up, she kept a hold of my arm, eyes wet and pleading.

“What's happening to us? What is this?” she whispered. I felt that awful sinking feeling again. “Please tell me. Please.”

I can't handle this shit. I'm not cut out for it. I hate it, hate it, how I couldn't just let anything go. Why did I care?

So I confessed.

I explained the valley, explained why she was there. I let her cling to my arm as I explained what was probably happening to her brain and felt a little bit like dying.

She cried, she begged, and the whole time she gripped my arm like I might disappear. Which was a fair enough read, honestly.

When she asked if I wanted this, if I did it on purpose, I didn't have the heart to lie. The righteous anger was mortifying. The pity was horrific. I have enough of my own pity, thanks. The fact is, it was my fault she was here, no matter how much say I had in the matter. I did this to her and I hated that I couldn't make her understand that.

We sat like that for a while, arm in arm, her asking trembling questions, me looming over her like the terrible thing I was.

“Well this sucks,” she said, eventually. Boy, didn't it. “It must be tough. Watching this happen again and again.”

I had nothing to say to that, because if I opened my mouth I was probably going to cry and today had been awkward enough.

“You don't have to answer. I understand,” she said. Bless her, she did not, but the sentiment wasn't lost on me. I was not in the right head-space for another round of sentiment though, so I tried to excuse myself for the third time that night.

I gently pulled my arm away and tucked it behind my back with the rest of my awful appendages. The legs were starting to fade, but I still kept them folded away as out of sight as I could. They weren't really meant to bend like that, but they weren't really meant to exist either, so my aching joints could kindly shut up.

“You're in a lot of pain. I can tell from your nerve signals,” I said. Very cool, a very normal-human thing to tell someone. That train had sailed though, so the least I could do was try to be useful. “Let me go get the medical kit.”

“Can't you just fix it? Like I did for you?” she asked.

“No. That's... different. Best I could do is convince you it's fine. You'll hurt yourself even worse that way.”

And see, that was the thing. Real people didn't just bounce back once no one was looking. Real people also didn't have Cronenburg moments when they got too distracted and forgot to be person-shaped. Usually. The point was, real people died when things like me fucked with their sense of possibility, messed around in their heads and generally went around scaring the shit out of them. The valley was a feedback loop, after all, and I was the engine driving it.

I really, really needed to leave.

“Do you think Joe is alright?” Jenna asked as I turned away, a little quiver in her voice.

I felt around for him with my mind. Joe was curled up in the basement hugging his Colt .45 like a teddy bear.

“He's fine.” He was probably not fine. “After I get something for your leg, I'll go try and reason with him.”

“You shouldn't,” she said. “He'll shoot you again.”

“Probably. I'll be paying attention this time, though. I'm harder to hit when I'm paying attention.”

It's true. I'd only been shot twice before, and once was my own fault.

By then, I'd regained enough control to have the normal amount of legs again, but the fact that the real-life person in the room was still convinced I was a real-life Halloween costume was overriding most of my other adjustments. I could feel the bolts of static rippling across my face when I looked back at her. I didn't really want to think about what she saw when she looked back at me.

—–+ #Horror #ShortStory #Writing #Fiction

 
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from fieryzard

Welcome to the Fediverse.

This is a work-in-progress guide for friends, acquaintances, and followers in the art & fandom spaces to populate their feeds when first arriving to the Fediverse. Enough has been stated about which platforms to use, what instances to join, and how the Fediverse works. So this blog will not seek to answer those questions. I find that, for many people, the hurdle is finding who to follow. I'd like to help with that.

There are many people on here and following more people will lead you to discovering even more people. So follow freely and unfollow freely, too. Mute and block freely. Make a space that is safe for you and healthy for you in your current moment. We're here to have fun.

Also, there are so many people on here that I am still discovering new ones every day. If you find cool people, boost them so more of us can see! Remember this doesn't work like Twitter: feeds are chronological and you only see posts from those (or that, in the case of hashtags and groups) which you are following. Having said that, here are some suggestions from me to make new beginnings easier. If you copy the link and search them through your instance's search bar (@user@TheirInstance), you can open their feed on Mastodon and easily follow them. If you can't find them by doing that, your instance might have blocked their instance.

Users

  • Plumy – comics, art journaling about videogames, perfect if you love looking at sketchy work
  • Cindy – plants, environments, animated illustrations, the loveliest mark-making
  • Tisha Mark – small-size abstract landscapes, really cool!
  • Colossal – the popular contemporary arts magazine
  • Léa Muna – beautiful watercolor illustrations
  • Malky – illustrator from Mexico making cool animal designs
  • Maruki – lovely pixel art, especially if you love mushrooms
  • Elaine Will – lovely environments with a Ghibli-Don Bluth vibe
  • Ego Rodriguez – the most gorgeous illustrations of gay/queer men, by a queer person, too!
  • Himbo Beefcake, PhD – 18+ art and comics of himbos, with the most crisp lineart and delectable shapes
  • Ksenia Palchikova – detailed illustrations with lovely lineart and that “flat” coloring style I really like
  • Victoria Maderna – gorgeous children's book like illustrations
  • Averil – SFW slime girls, art & merch for you art nouveau lovers
  • Kim Hu – the most fun urban environments and character designs
  • Mossypine – lovely, whimsical & earthy nature merch designs
  • Irene N. – if you're into horror... this one's for you
  • Julia Bausenhardt – nature sketches done on-field, it's really fun to stumble upon these
  • Djamila Knopft – lovely Ghibli-like nature work
  • Hiko – anime-like illustrations with gorgeous, stain-glass like colors
  • Hoka@名古屋クリマM-538 – really cute, vintage-y, cartoon-ish, anime-like illustrations
  • Cartoonist Cooperative – just as it sounds like, it's a cooperative for people making comic-work
  • Me!! – I tell stories through colorful illustrations, inspired by anime and Western cartoons
  • This blog!! – you can follow this blog by searching for @fieryzard@DotArt.blog on your Mastodon search bar.
  • Your Name Here – join us!!

Hashtags

You can search these from your instance's search bar and then press the Follow button to follow them. This might need to be done from the web or mobile web version of the platform. Some apps out there might not have this option available. * #MastoArt – a popular hashtag for artists * #CreativeToots – another popular hashtag for creatives * #WordWeavers – a monthly challenge where you answer one question about your characters/story each day, to help motivate you and connect you to your writing community

Groups

 
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