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from Chloeg

A couple of things that resonated with me this week have sent me into a creative spiral (upwards I must stress) with possibly interesting projects at the end of it.

I’ve been watching some YouTube videos of a guy called Titus Meeuws and it has inspired me somewhat to look at watercolour again and see where that could take me. I want to do some paintings that look like early enlightenment paintings but darker and weirder, a slight edge of surrealism and science fiction but firmly rooted in the late mediaeval tradition of botanical and scientific painting. I’m not 100% sure how to go about combining this wide range in styles and mediums into a single painting or series of paintings, I think these paintings would probably have to start as watercolours possibly have layers of acrylic and even oil paint over the top

I’m not sure exactly how I would go about creating this style that I’ve got in my head and it’s really difficult to even describe it it’s just a vague feeling. I really like the look of late mediaeval and later renaissance, botanical and scientific paintings and architectural diagrams from the 17th and 18th centuries. I have a dark green glass jar with a label on it looks almost like something from an apothecary or chemists and that was all it took to inspire a whole series of things happening in my mind around paintings.

I’m going to start exploring this avenue of thought and images and see where it leads me. It might take me in a completely different direction or it might lead me down to a dead end. However, I think it’s important route to look into this because it’s resonating really strongly with me and I always get good results when I follow those leads.

 
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from Words and Lines

On The Road To Swan Hill

by Tris Kerslake

A place of meditation and of thoughtless speed. No wonder that the kangaroos keep silent in the scrubby eaves, or hold a stillness that defies the beating pulse.

So dry and yellow, I track the wounded road and rubber remnants into deepest country where there are no birds, not one, between the grinding borders framing slants of shallow ground and empty trees. A vagrant cow perhaps, a unique sheep, the only ones that ride with me along the Swan Hill road.

Little living on the bark-scree slopes, along the edge of circumstance and drought where drivers stop to piss in accidental shade and where the clanking engine means an S.O.S.

Isolation falls on me, pushes knowledge far behind to telephones and TV screens where only natives of this distant trail could need its dizzy solitude, and crave its parallels of sky and tree-top lines. The vague dominion of some passing jet thunders, calling me to mind my bit of Swan Hill road.

In leaving civic confines by this pass I had not thought to leave my urban urgency as well. At dusk the only lights are those that move with me, that blink at doubtful ghosts.

And so I rush the hours dividing me from busy streets and placid country town. I wait for screams of sirens in the dark, commuting faces watchful at the paving’s edge, the yell of feral music from some reeking truck. There is no life beside this passive artery, no heartbeat and no flowing down the Swan Hill road.

Nor are there cars to mark my passing nor homes nor fields to make me civilised and slightly tame. I drive by skid-marks, endless tails wagging through the night, stories having no outside world to tell.

And measured city needs are useless now, why count the rules where they cannot count? The engine comforts me and rolls me down the silent miles that drink us dry. I long for other sounds, for sights of pilgrims, spoor of greater travellers than I reminding me with tactful signs that swans were here.

 
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from rinseLacerate

Thirteen

We buy 2nd class tickets, bottled water and peppermint bonbons on credit in a tiny kiosk next to the railway turntable. The housekeeper, finally free of heavy wool and starched collars, makes a little pirouette on the uneven cobblestones of the platform.

A shadow falls on me – the conductor, big and smelly in a stained uniform. I do my best to avoid his eyes as he hunches down and holds up his ticket punch in front of my face. The sun catches the chromed steel and blinds me, momentarily. “This better be good.” His voice is low and distorted, angry but powerless. He punches the air in front of me twice and is gone before the housekeeper even notices.

We travel by night only. The window next to me is dark and empty: an occasional street light in the distance is the only evidence of anything but void outside. I'm relieved to discover how numbingly cold the glass is: I lean in closer, try to expose as much of myself as possible as it freezes me, preserves me, makes me more insignificant.

Once I’m numb the housekeeper reaches inside and pulls something out. “Here. I'll trade you.” And she smiles with teeth too white and even to be real. “But you must promise me something worthwhile in return.” I look at what’s in her hands, and realize I have nothing.

Sensing my defeat, she leans back, crosses her legs and looks out the window. “The journey is always long. I just thought maybe it’d be a bit shorter for you.” Her voice is distant: she’s here but already leaving. The next time I look in her direction, she’s gone.

 
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from Words and Lines

Sleeping Dogs

by Tris Kerslake

Regrets and memories, tumbled recollections in a drawer of thought. Let be, unroused.

Packed in careful dust and sheltered from the grieving heartbeat, softly sleeping slowly aging.

Woken by a reckless touch they scatter, shooting feather-light to unknown landings hard and rocky.

Like wounds unchecked, they bleed afresh measuring a modern worth of blame, unchained they run.

No words can haul them back, no cry or crying blunts their yellowed claws, in packs they hunt old prey.

I will not share the most ungentle past and stir the dogs. The hand they bite is mine. Let be. Unroused.

 
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from nmf1

i am watching some live cam of my hometown. a lot of people hanging around by the riverbanks, enjoying the nice weather on a late may evening. it is still light outside.

it is groups of people, standing or siting around, throwing a object. and pairs of people strolling down the concrete path. single people only riding a bike, fast, through the picture. or the one single figure jogging along.

i wish i had a person to stroll down on the riverbank. talking, enjoying the setting sun and each others company.

 
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from nmf1

i just thought about that there is no visual memory of me for almost the last 10 years.

did one exist if there is no “proof”?

 
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from rinseLacerate

Twelve

Chamois and Squeegee in hand, we make our way across the land It’s surprisingly windy, 30 something floors up. The janitor and I are washing windows on a suspended platform that is slowly, slowly descending. We’re dressed in rugged work wear and orange hardhats. The janitor is singing a jolly work song. Oh tell me my frothy one, where doth one lay one’s head to rest? South-by-southwest right next to your chest?

After what seems like a very long time, we take a break. The janitor beckons me to sit down beside him, to listen to the crackle of the intercom and to share his frugal lunch. Between meat jelly sandwiches and pickled gherkins, he leans his forehead against mine and whispers comforting words. I enjoy this moment of unexpected camaraderie.

We finally come upon a window that doesn’t need cleaning, and carefully break it using sharpened ice picks and deformed lead mallets: the huge pane slowly turns milky and finally shatters in a cascade of tiny shards.

In front of us in a narrow corridor lined with broken glass stands a woman in black, her features buried in so many layers of starched cotton she essentially is faceless. For a second I think I'm back at the Victorian boarding school: the high ceilings and dark floors, poor acoustics and chipped tiles.

The janitor leaves us to go drive his machine down endless aisles, stacked with out-of-date TV-dinners, gluten-free candy and recyclable macaroni. The woman (“I'm the housekeeper, bless your heart”) shows me how to carefully cleanse the memory banks using industrial strength solvents: to gently release and pull out the units, connect the hose, choose the right formula and spray them down.

As the room fills up with vapors from the chemical reaction, our limbs start to dissolve and vanish: at some point I see the housekeeper stare at a bloody stump of rapidly dissolving bone and tissue. Is it a leg or an arm? Mine or hers? I can't be sure.

 
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from rinseLacerate

Eleven

“Only the past matters up here. Those little snapshots you call memories: random and out of order portrayals, developed once and then left in a shoe box in the corner of the attic. We collect them: we like them.”

In her fancy evening dress and makeup the woman is a changed person. For a moment I consider saying something, then think better of it. She makes a dismissive gesture and takes a sip of chilled Chablis. I’m not sure when or how she got a drink. Will I be offered one? Probably not. I wipe the palms of my hands against my legs and try to relax.

She crosses her legs and leans back while absentmindedly playing with the pearl necklace. “You think you can improve, change, evolve, become. Why not just stop and look at yourself? Try to actually remember?” She giggles and says “you should see our slide nights, how we revel in the faux pas that is you and your equals: all the missed chances, the dropped balls, the endless, stupid fumbling.”

Suddenly angry, I lean forward to say something when i notice a tiny bead of sweat on her upper lip. Curious, I look closer and am suddenly aware that things aren't what they seem: her makeup is liberally but poorly applied. She has lipstick on her teeth and the rouge on her cheeks is uneven and garish. Up close that dress doesn't look so fancy anymore: it's too small for her and several beads are missing. I suddenly smell her: dried up sweat hastily covered with cheap perfume.

Uneasy with this scrutiny, she shrinks away from me and claps her hands. Without warning a bald, caucasian man, overweight but not excessively so, enters the room. She beckons him over and whispers something in his ear. He nods, comes over to me, grasps my arm lightly and says: “You are not able to go any further. Time you and I were on our way.” He smiles, warmly. “I'm the janitor, by the way.”

 
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from rinseLacerate

Ten

The 36th floor is not what I expected it to be. Instead of polished marble and aged oak, I am greeted by an office landscape – cubicles, stained carpeting, an empty water cooler and a headache-inducing fluorescent lighting. Muted music is playing in an endless loop in the background: something trivial about love and fast cars.

There is a woman in a baggy sweater behind a desk to the right of me: if she’s aware of my presence, she’s good at pretending. Occupied with what looks like a crossword, she chews on a fingernail while lightly rocking her chair.

I take a couple of steps in her direction but suddenly feel dizzy and look for something to hold on to. What is happening to me? The woman is watching me now, reluctantly. While I stagger over to her, she shamelessly leans back in her chair, puts her feet up and starts picking her nose.

“Hmmm, hm. Welcome, I guess. You are…” her voice trails off as she consults a handwritten note. “Number 375.” She gazes quizzically at me, puts her feet down and clears her throat. “Interesting. We had little hope for you. Little hope indeed.” She grimaces, rubs her hands against her thighs and says “You want something to drink? Coffee, perhaps? We’ve been keeping it warm for… well, for you, I guess. It’s been a while.” I am suddenly aware of the smell of sour, day-old, burnt coffee.

Not really waiting for an answer, she opens one of the desk drawers and produces a beaded, black evening dress, a make up-set and what looks like a pearl necklace. With a delighted sigh, she caresses the soft fabric, gets up and walks over to the nearest cubicle, out of my sight.

“You might notice that our cubicles are smaller than average: they made the partitions just a little too narrow, the desks a bit too low, the angles somewhat off. Difficult to get any work done, honestly. Back pain comes quickly, the lumbar discs give out, you see. No one stays for long.”

Her voice comes trailing over the smelly styrofoam wall of the cubicle. Why is she telling me this? Is this a test? Is she mistaking me for someone else?

 
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from Random Voices

Let go. If it is out of place. If it is the past. If it confounds and confuses. If it eludes and deceives. If it is fake. If it mocks. If it is unworthy. If it hurts without healing. If it diminishes. If it disrespects. If the hands and heart are wounded until raw. Let go. It is not worth it.

 
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from Fedivoyage

We are finishing our stay on #writefreely, so it's time to summarize our experience. You can find information about our trip over here: https://md.ha.si/fedivoyage#

Design

We really liked the minimalistic design. The draft view is very distraction-free and easy to understand. You can customize the looks of your blog via CSS, but you don't have to, and the default design is very simple and modern. This was also very motivating to just get started and write something!

A huge plus for @piko was the markdown syntax, because everything is better with markdown.

It was very easy to set up and get going. For people who don't have (and don't want to set up) their own blog, this could be a great option.

Right now, we can't remember how easy it was to show images in the blog posts. It is possible, but @piko thinks that it wasn't possible to upload them to the WriteFreely server – you had to upload them somewhere else, @piko thinks.

Federation

You can follow blogs from Mastodon and react to blog posts, but you can't really interact from WriteFreely with these reactions, so you need an account on a platform that allows comments to join the discussion about your post.

Next stop

Find out about our travel route at @blinry@chaos.social and @piko@chaos.social!

 
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from Fedivoyage

RAAAAAHHHHH

#writefreely bietet die Möglichkeit, den Stil der Blogs anzupassen. Das ist hier dokumentiert: https://writefreely.org/docs/latest/writer/css

Dort sind auch Themes verlinkt, deren CSS-Code einfach in ein Feld im Customize-Teil des eigenen Blogs kopiert werden kann: https://write.as/themes/

Ich hasse Farben.

Da hab ich ein zufälliges rausgenommen, dessen Farben ich aber nicht so schön fand. Ich dachte mir, schönere Farben zu finden muss doch einfach sein. Besonders weil es da inzwischen total gute Webseiten gibt: https://poolors.com/

Die Farben sehen auf den Webseiten auch immer total toll aus. Aber halt nur da. Ich hab jetzt eine halbe Stunde mit Farben rumgespielt. #e7f6f9 #ffffff #064668 ist die Minimallösung, die ich gerade so ertragen kann. Wenn hier eins mitliest, die*der sowas gut aussuchen kann; bitte melde Dich!

 
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from Fedivoyage

Im Februar sind @blinry@chaos.social und ich fröhlich und optimistisch zu unserer #fedivoyage aufgebrochen. Die ersten Wochen gingen ganz gut, aber es hat immer mal ein bisschen geknirscht und wir sind nicht so schnell von einer Plattform zur nächsten gehüpft, wie wir dachten. Das ist auch kein Wunder, immerhin haben wir uns mit einer Plattform pro Woche ein ziemlich strenges Programm auferlegt... Ende Februar ging dann einiges drunter und drüber, sodass unsere Reise durch das Fediverse unterbrochen worden ist.

Das Krokodil

Das erste Problem war ein Krokodil. Das Krokodil ist schon länger bei uns, ich hatte das damals angeschafft, weil, Krokodil halt. (Über den Verbleib hatte ich mir damals keine Gedanken gemacht.) Das Krokodil hat die meiste Zeit in meinem Arbeitszimmer verbracht, wo es auch gefüttert wurde; nur manchmal haben wir es ins Bad gebracht um es zu putzen. Von selbst ist es nie aus meinem Zimmer raus gekrochen, ich konnte sogar das Fenster offen lassen – das Fenster ist auch eigentlich zu hoch, dass das Krokodil da irgendwie rauskommen könnte.

Der Spion

Eine knappe Woche später ging es dann schon wieder rund: Ein guter Bekannter von mir ist beruflich Spion und hat auf der Durchreise durch Hamburg gemerkt, dass er in Schwierigkeiten geraten ist und schnell untertauchen musste. Wir wollten ihm helfen und sind deswegen, während er sich bei uns im Keller versteckte (und unser Keller ist wirklich kein angenehmes Versteck) in das Hamburger Rathaus eingebrochen, um die geheimen Dokumente, die ihn belastet haben, zu vernichten. Das hat ganz gut funktioniert – aus irgendeinem Grund wird da mit besonders gut brennbarem Papier gearbeitet – aber der Spion hat noch einige Tage bei uns verbracht, damit er sicher gehen konnte, dass auch keine Kopien irgendwo existiert haben. (Glücklicherweise ist das auch nicht digitalisiert gewesen, das wäre viel mehr Aufwand gewesen!)

Das Schiff

Dann waren da noch andere Freunde, zwei Wochen drauf, die auf einem Schiff leben und mal in Hamburg vor Anker gehen mussten. Sie hatten da gar keine Wahl, weil das Wetter ihnen einen Strich durch die Rechnung gemacht hat: Ihnen war das Wintersegel gerissen (was ursprünglich kein Problem war, wegen des warmen Wetters, aber dann, als es Anfang April nochmal richtig kalt wurde, eben doch...) und sie wollten nicht mit dem Sommersegel durch Schneetreiben segeln. So ein richtiges Wintersegel in der richtigen Größe ist aber eine Maßarbeit, und im März sind die Wintersegelmachies üblicherweise schon in der Sommerpause. Zufälligerweise habe ich vor mehreren Jahren eine Wintervorhangmacher*innen-Ausbildung abgeschlossen (Was die Fernuni Hagen alles anbietet!) und noch Wintervorhänge im Keller. (Tatsächlich waren das exakt die Textilien, auf denen der Spion zwei Wochen früher geschlafen hatte.) Die konnte ich aber nicht mehr als Vorhänge verwenden, weil der Keller derart schmutzig und feucht ist, dass eins die nicht im Zimmer haben will. Also habe ich die kurzerhand zusammengenäht und den Matrosinnen geschenkt; die sind damit glücklich abgezogen und bis fast nach Portugal gekommen, wo die Provisorien dann aber gerissen sind (waren ja nur Vorhänge). Da war es aber auch schon so warm, dass sie die Sommersegel verwenden konnten.

Die Quantenverschränkung

Zu guter Letzt hatte ich dann auch noch eine Quantenverschränkung im rechten Arm. Ich hab immer noch nicht ganz rausgefunden, mit wem eigentlich, aber ich vermute, die Person verwendet keine neo2-, qwertz- oder qwerty-Tastaturbelegung; weil die Kommunikationsversuche alle erfolglos geblieben sind. (Rückblickend fällt mir auf, dass ich auch mal einen Stift in die Hand hätte nehmen können...) So QVs sind eigentlich ganz schön lustig, aber nicht dann, wenn eins gleichzeitig eine Deadline hat. Nunja, jetzt kann ich auch auf linkshändigem Dvorak tippen; die QV hat sich dann irgendwann wieder ausgerenkt und alles ist gut. Ich muss mal besser auf meine Polarisation achten, das kommt echt etwas häufiger vor, als mir lieb ist.

Nunja, das waren ein paar von den Dingen, die so passiert sind und wegen denen ich nicht dazu gekommen bin, die Fedivoyage weiterzutreiben. All das ist aber jetzt gelöst und nun wird es weitergehen mit der Reise durch das Fediverse!

 
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from Nilly Robot

I hate it here.

It's always cold in this room, always gloomy. Just enough light to cast my form against the ruined walls and broken windows. I want nothing more than to leave, but there's something wretched keeping me here.

I wish I knew what it was.

Sometimes I can almost name it, the dread clawing at my head when I step through the doorway, a thousand fragments of some calamity or other fluttering through my mind.

Maybe they buried its name with the rest of the people that used to walk these halls.

In the quiet hours, I can feel their restless shifting in the dust, the ebb and flow of them rippling behind my eyes. I whisper their names like a secret litany, words sharp and foreign on my tongue. I gather up the fragments of their lives like precious treasure and imagine a time long before the sky went dark and the halls were infested with things like me.

I am a shadow cast by their memory, sewn from the scraps they left behind.

Now they live in the gloom I weave into the floorboards and paint along the walls. A tired man with his child cradled in his arms, a sharp-eyed woman with her honor and her declarations of war, the remnants of a girl with long golden hair, who looked up at the stars and dreamt of far away places.

She died not far from where she was born, sucking in ash and cursing god through her tears. In my mind, I wrap my hands gently around her broken fingers, whisk us away from the mud and the ash and the burning clouds. I take her on all the grand adventures neither of us got to have.

When she looks at me, I can see in her eyes that she loves me, for I'm cut from the same fabric as the night sky in her dreams.

-

I wonder if the other shadows dream of the past too, or if they even know there was ever anything else. I wonder if that's what's wrong with me.

There's a lot of us haunting this building. They wander the halls, slip in and out of doorways and long cracks in the walls. I envy how they move around so freely. What makes them so special?

I've tried to follow once or twice, poked my head out in the hall just long enough to feel the icy fingers of dread creeping up my back, long enough to catch a nervous glance from the others before they skitter away into the darkness. They never have much to say.

I think they’re afraid of me. Or maybe it's what I've brought to our doorstep. There's things out there much worse than shadows, and only a fool or madman would call to them willingly.

I am no madman, so it stands to reason I must be a fool.

I used to count the days by his visits.

He belongs to the nameless things crawling through the gloom beyond the walls, a servant passing through to whatever grisly task they'd set him on.

They're making him into some kind of monster, but they haven't quite beaten the person out of him yet. I can tell from the marks that they're trying. I can see it in his slumped shoulders and hollowed-out eyes, how his claws are a little longer each time, his teeth a little sharper. They're emptying him out, piece by piece, and filling him back up with violence.

It's a little sad, really. He might have been a good man, once. Then again, no good man gives himself over to them willingly, takes the marks of their blessing upon his body. Sometimes I run my fingers along the silvery lines they etch into his skin and watch him shiver against my touch.

He could kill me with a thought.

I'm no lovesick fool, so perhaps I'm a madman after all.

I can tell he doesn't quite know if I'm a person, and it bothers him. I can see it in the way he hesitates in the doorway, eyes flickering to the side like he knows he's doing something wrong.

And he is.

They think of us as scenery, some kind of strange plant, or vermin. He isn't so sure, but he does what he wants all the same.

When he pulls his fingers through the dark tendrils of my body, I can tell he's thinking about someone long gone and far away. And when he runs his teeth down my neck, it's not my skin he's tasting. Some part of me thinks I should hate him for it, but I don't. It's a little sad, the both of us. A little pathetic.

When he's done, he wipes the tears from his eyes and sets his face into a kind of stony nonchalance.

I wonder when he'll finally kill me. I wonder what that means for something like me.

I think one day he'll just never come back, and maybe that's worse. I'm no lovesick fool, but the thought of being alone again is unbearable.

It's a little sad, really. Someday he'll be as hollow as the rest of them, just another nameless, faceless thing crawling through the gloom and perhaps the only one who'll mourn for him is a shadow.

 
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from dVoid

cosmic vulcano dream soap bubble errupting blue green mind eye spheres self inducing time bomb shuffle sparkling blinding sun tears

swirling up, helical stream filling up the bowl waves of joy and cry sound fish swarms swimming

 
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