Words and Lines

Tris Kerslake

Penzance

by Tris Kerslake

I knew this town by pubs, where I would sip on tinted cider by the stairs and where my parents talked of all the mundane things. Sylvia’s cancer, whose breast betrayed her, old Sid’s accident and newly plated skull. Pub talk.

The Star was at the top opposite the cafe where a mother ran to save her child from sightless cars. Just up the road from Parker’s where seeds and straw and pets got sold. A fire, and all the puppies died.

And further down, where tourists played pretend, there was The Turk’s Head. They made the best crab sandwiches in all the world and told us we should drink in gardens. They even gave us flowers in a pot and tables with umbrellas.

Of course there was The Pirate’s Hotel where William sketched his doggerel and Arthur sang, joined at the hip in comic opera. It was too grand for me not knowing how to drink the proper class of cider.

And down upon the docks there was a grimmer place whose name I never knew. Old sailors lived there, tottering between the rum and public parks. Aggie Weston used a crucifix to mark the spot of ancient mariners.

Long-Distance Literature

(on remembering high school)

by Tris Kerslake

How far away I am from Shakespeare who haunts me with melodic lines and voices off. His kings and wars, his whores and drunks were closer then. They sent me greetings.

Though I could not appreciate him properly having letters only in my name, my thoughts were slow, but still he sang to me and smiled at my applause. He liked to move me.

And while his language was a trifle rich with hinted politics that I did not begin to understand, he let me pull his words apart to find the juicy centres. I am addicted.

The letters that he writes, my perfumed lyrics delivered by the book and by his actors in the round, have set me flying through the lesser days upon his gift. Avon is calling.

Undergraduate Blues

by Tris Kerslake

Drugs are always tempting at a time like this, and when you see the bleakly dancing cursor, let alone the pristine page, you understand at last that hell is not a question of belief.

When you had weeks, you also had ability, but skill diminishes as do the days until you have a massive thirty hours before the email stamps you urgent.

You also wish that you had quit your job, who needs money when you have a brain that will not work? Disaster lurks behind each question, little maps of panic.

So, you endure. Lacking any form of absolution you guess your way to credit, waiting for the kingdoms that will not come. Off-campus students need not attempt.

But then you think. Slow fabrication of a phrase becomes a subtle doubt. You wouldn’t bet your pay, but you start to write, and with each syllable you try for wisdom.

And suddenly you have three thousand sounds that speak of Homer, Whitman stained for the establishment, or little poets. Spelling checked, you shun your other obligations.

Submission page at last. The upload and receipt. Caught and crushed between the proper rules of study and the knowledge of a deadline made, you graduate to life.

Trinity – Three Trees

by Tris Kerslake

Earthly, rootbound without a hope of isolation the mundane cheek-scratch bark makes room for worms

Fragile, secret withered by a touch of frost a centre shy of light keeps silent voice

Reaching, stretching within my wooden rings erect ambitious thoughts and see three trees in me

White Nights

(on midsummer nights in Cornwall)

by Tris Kerslake

I love the long white nights when clocks disclose their foolish discipline, and owls are mindless.

With days that do not pass to other days by dark and hide the waiting moon from open curtains.

When talk does not dissolve upon the stroke of ten and children will not sleep before their stories.

When breathless pubs bring out their chairs to let the locals sit the quiet hours outside with empty glasses.

And blossoms never fold their petals still and catch the coming dew on brilliant open faces.

When peace of endless evening walks with me along the edge of rustling waves and paints me lullabies.

And I am all alone beside the shore and by the restless clifftop gorse with nights of light and wonder.

Valentine

by Tris Kerslake

Let me share your breath. Give me your heat and heartbeat too, and let me live in you.

Open your mind. Slide me deep inside to paint soft images upon your eyes.

Divide yourself for me. Hold me wakeful in the smaller part, allow my touch.

Take the passion. Bind my flame into the hearth of you, and smoulder endlessly.

Be sometimes weak. Permit my bones to be your bones, accept the gift of me.

Rain

by Tris Kerslake

I did not see these colours before nor catch their subtleties or shaded tones, I only saw the dry, the dusty bake of endless sun before the rain.

My feelings were not stirred before set hard among the clay of foreign walls, I only knew the itching of a strange desire for absent things.

Glorious gladflowers shuffling daisily sinuous grass by a tumbling lazy of brilliant glossies the fabulous fractions of colour of colour of lightfully diligent colour.

I knew the fallow ivory of many books which spoke in careful words of tint and hue, but seeing only words, I let them sleep within my eyes.

And then the clouds came at me largely grey, they offered nothing new, except their contents were more magical than alphabets.

Drowning in spirals closing on sunlight ripping me up with the sharpest of brightness’s boisterous angels smothering naturals colour the colour of breathing and sunrise.

The art is not that I can see but that my sight is keener now, I speak the secret words dormant in this dusty place before the rain.

Feeling Gravity

by Tris Kerslake

When nothing works, when efforts fails and you are all alone between the words you write which flow like rock.

When money halts, when bills appear to cover the entire fridge with bolded type that never fades.

When talking stops, when lovers leave because your words are hoarded for the precious page and know their place.

This is the time, when gravity pulls lines around your eyes and makes the heart beat slow and hard to yield.

And with its weight, it makes you think each breath you draw, each move, each yanking word you write a mockery.

The Chapel Path

by Tris Kerslake

Hack out the softness of the dissipated South, it lacks all value and advantage. Leave off the yielding contours when you walk the chapel path, and feel instead each stone, each worthy pinch of praise for one who never lets the doubt permit a single foot to stray. The flock, the sheep are all inside and cannot see the sky and foreigner, you comprehend that harshness is the only way to Christ. The chapel path is clear.

Sing loud. Unmake the common roof with hymns of barter sure of heaven’s claim. Beat your life into a shape that fits, erode in rigid shreddings all your sorry form, scraped knees are nothing to the hassocks in the pew. Pray the epithet of Southerner does never spoil your welcome here, the evening English in the cautious pubs, the quiet laugh that makes you less than them. Listen, as the rugby comes second only to the bitter beer.

Avoid all chance of weighing life with life, you cannot win, that battle is a holy one. Brethren, fiercer by the hill, anointing cuts with stinging oil might judge no scars are yours, your flatland soul effete. Do not relax in accent or in deed, for they will joke and drink and think the wicked lie. Forget the years you knelt on blue-cold flags with hands too numb to turn the gilt-edge page, unseens are in this place. Leave them to the chapel path.

Tensing the Verb

by Tris Kerslake

When leaving becomes left, a last look back that takes things from the present to the past. When going becomes gone and there are no more seconds in this instant of your life. Just one more glimpse, one breath, one blink before the moment now becomes remember.

When close friends become Christmas cards and shuffle to the back of your addresses. When airports become your end rather than annoyances that only rule your duty-free. Just one last hug, a smile, a bid to keep the final blossom of familiar sky.

When family becomes a list of complex digits requiring calculations of their time and place. When favoured walks become a precious leaf of sycamore and keeps your page in books. Just one more kiss, one last caress to close your eyes beneath their farewell touch.

When parting becomes the thing you must outlast and all the happy faces start to crumble down. When passports and your foreign coins become what’s real as you hear that boarding call. Just one more night at home, you ask, that lets you leave tomorrow